March 18, 2013
Hosseini’s third novel (after A Thousand Splendid Suns) follows a close-knit but oft-separated Afghan family through love, wars, and losses more painful than death. The story opens in 1952 in the village of Shadbagh, outside of Kabul, as a laborer, Kaboor, relates a haunting parable of triumph and loss to his son, Abdullah. The novel’s core, however, is the sale for adoption of the Kaboor’s three-year-old daughter, Pari, to the wealthy poet Nila Wahdati and her husband, Suleiman, by Pari’s step-uncle Nabi. The split is particularly difficult for Abdullah, who took care of his sister after their mother’s death. Once Suleiman has a stroke, Nila leaves him to Nabi’s care and takes Pari to live in Paris. Much later, during the U.S. occupation, the dying Nabi makes Markos, a Greek plastic surgeon now renting the Wahdati house, promise to find Pari and give her a letter containing the truth. The beautiful writing, full of universal truths of loss and identity, makes each section a jewel, even if the bigger picture, which eventually expands to include Pari’s life in France, sometimes feels disjointed. Still, Hosseini’s eye for detail and emotional geography makes this a haunting read. Agent: Robert Barnett, Williams & Connolly.
March 15, 2013
After two stellar novels set (mostly) in Kabul, Afghanistan, Hosseini's third tacks among Afghanistan, California, France and Greece to explore the effect of the Afghan diaspora on identity. It begins powerfully in 1952. Saboor is a dirt-poor day laborer in a village two days walk from Kabul. His first wife died giving birth to their daughter Pari, who's now 4 and has been raised lovingly by her brother, 10-year-old Abdullah; two peas in a pod, but "leftovers" in the eyes of Parwana, Saboor's second wife. Saboor's brother-in-law Nabi is a cook/chauffeur for a wealthy, childless couple in Kabul; he helps arrange the sale of Pari to the couple, breaking Abdullah's heart. The drama does nothing to prepare us for the coming leaps in time and place. Nabi's own story comes next in a posthumous tell-all letter (creaky device) to Markos, the Greek plastic surgeon who occupies the Kabul house from 2002 onwards. Nabi confesses his guilt in facilitating the sale of Pari and describes the adoptive couple: his boss Suleiman, a gay man secretly in love with him, and his wife, Nila, a half-French poet who high-tails it to France with Pari after Suleiman has a stroke. There follow the stories of mother and daughter in Paris, Markos' childhood in Greece (an irrelevance), the return to Kabul of expat cousins from California and the Afghan warlord who stole the old village. Missing is the viselike tension of the earlier novels. It's true that betrayal is a constant theme, as it was in The Kite Runner, but it doesn't work as a glue. And identity? Hosseini struggles to convince us that Pari becomes a well-integrated Frenchwoman. The stories spill from Hosseini's bountiful imagination, but they compete against each other, denying the novel a catalyst; the result is a bloated, unwieldy work.
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Starred review from April 1, 2013
Saboor, a laborer, pulls his young daughter, Pari, and his son, Abdullah, across the desert in a red wagon, leaving their poor village of Shadbagh for Kabul, where his brother-in-law, Nabi, a chauffeur, will introduce them to a wealthy man and his beautiful, despairing poet wife. So begins the third captivating and affecting novel by the internationally best-selling author of The Kite Runner (2003) and A Thousand Splendid Suns (2007). An immense, ancient oak stands in Shadbagh, emblematic of the complexly branching stories in Hosseini's vital, profound, and spellbinding saga of family bonds and unlikely pairings forged by chance, choice, and necessity. We meet twin sisters, one beautiful, one plain; one an invalid, the other a caretaker. Two male cousins, one a charismatic wheeler-dealer; the other a cautious, introverted doctor. A disfigured girl of great valor and a boy destined to become a plastic surgeon. Kabul falls and struggles to rise. Shadbagh comes under the rule of a drug lord, and the novel's many limbs reach to Paris, San Francisco, and a Greek island. A masterful and compassionate storyteller, Hosseini traces the traumas and scarring of tyranny, war, crime, lies, and illness in the intricately interconnected, heartbreaking, and extraordinary lives of his vibrantly realized characters to create a grand and encompassing tree of life. HIGH-DEMAND BACKSTORY: The immense popularity of Hosseini's previous books ensures a high-profile promotional campaign and mounting word-of-mouth excitement in anticipation of the release of his first new novel in six years.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)
April 1, 2013
This bittersweet family saga spans six decades and transports readers from Afghanistan to France, Greece, and the United States. Hosseini (The Kite Runner; A Thousand Splendid Suns) weaves a gorgeous tapestry of disparate characters joined by threads of blood and fate. Siblings Pari and Abdullah are cruelly separated at childhood. A disfigured young woman, Thalia is abandoned by her mother and learns to love herself under the tutelage of a surrogate. Markos, a doctor who travels the world healing strangers, avoids his sick mother back home. A feminist poet, Nila Wahdatire, reinvents herself through an artful magazine interview, and Nabi, who is burdened by a past deed, leaves a letter of explanation. Each character tells his or her version of the same story of selfishness and selflessness, acceptance and forgiveness, but most important, of love in all its complex iterations. VERDICT In this uplifting and deeply satisfying book, Hosseini displays an optimism not so obvious in his previous works. Readers will be clamoring for it. [See Prepub Alert, 11/04/12.]--Sally Bissell, Lee Cty. Lib. Syst., Estero, FL
Copyright 2013 Library Journal, LLC Used with permission.
December 1, 2012
This book from Kite Runner author Hosseini explores how we love and care for others, especially family. A multigenerational saga that broadens Hosseini's scope.
Copyright 2012 Library Journal, LLC Used with permission.
Starred review from April 1, 2013
This bittersweet family saga spans six decades and transports readers from Afghanistan to France, Greece, and the United States. Hosseini (The Kite Runner; A Thousand Splendid Suns) weaves a gorgeous tapestry of disparate characters joined by threads of blood and fate. Siblings Pari and Abdullah are cruelly separated at childhood. A disfigured young woman, Thalia is abandoned by her mother and learns to love herself under the tutelage of a surrogate. Markos, a doctor who travels the world healing strangers, avoids his sick mother back home. A feminist poet, Nila Wahdatire, reinvents herself through an artful magazine interview, and Nabi, who is burdened by a past deed, leaves a letter of explanation. Each character tells his or her version of the same story of selfishness and selflessness, acceptance and forgiveness, but most important, of love in all its complex iterations. VERDICT In this uplifting and deeply satisfying book, Hosseini displays an optimism not so obvious in his previous works. Readers will be clamoring for it. [See Prepub Alert, 11/04/12.]--Sally Bissell, Lee Cty. Lib. Syst., Estero, FL
Copyright 2013 Library Journal, LLC Used with permission.
July 29, 2013
Khaled Hosseini’s third novel is told via a series of interlinking stories—beginning in an Afghanistan village in 1952 when an impoverished man named Saboor is faced with the prospect of giving up one of his children in order to survive. From this crucial moment, the narrative expands, as Saboor’s decision impacts his descendants and acquaintances for generations to come. Author Khaled Hosseini and narrators Navid Negahban and Shohreh Aghdashloo alternate reading duties. Of the three, the author speaks with the clearest elocution, though his reading, while precise, is also stiff at times—and this may take listeners out of the story. Negahban and Aghdashloo, who deliver the bulk of the narrative, are more emotive and hand in performances that are more likely to capture and keep listener attention. A Riverhead hardcover.